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Just Be Love Playing For Time Collage

Genevieve Esson

United States

Collage, Paper on Canvas

Size: 40 W x 26 H x 0.1 D in

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$2,260

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About The Artwork

This multimedia piece is a treatise on the question: How much of the beauty of the real world do you actually see or believe in? This artwork was originally inspired by the marriage of Prince Harry & Megan Markle. I used a variety of multimedia in this piece, including antique lace, twine, felt sweater, tissue paper, dryer lint, hand stamped with ink on painted paper, modeling paste, and acrylic paint. It was a fun project. It was hard to get a good picture of this piece. It looks so much better in person. The textures have a way of playing with the focus and the lense of the camera.

Details & Dimensions

Collage:Paper on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 26 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.

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