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United Kingdom
Collage, Paper on Paper
Size: 27.6 W x 19.7 H x 0.1 D in
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One of a series of works about the First Wold War and its effect of the century that followed. This is not just a collage, I was unable to find an adequate description from the range provided it is in fact a mixed media work. Combining pencil, paint, ink and collage. Repetition, by use of tiny monoprints, highlights the devastation to human life during the conflict. "Push Pull" for me sums up the to and fro of the war. The work formed part of "Repeat After Me" an exhibition which opened Armistice weekend 2018 in Hastings.
Collage:Paper on Paper
Original:One-of-a-kind Artwork
Size:27.6 W x 19.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I make bold, quirky and apparently playful works often carry a brooding gritty undertone. By employing an agglomeration of printmaking, painting, collage, stitching onto a variety of surfaces my work is a lively regurgitation of current obsessions. My most recent output follows on from works concerning the vulnerability of existence in the natural world to the “Museumification” of artefacts, relics and taxidermy where the loss of original context renders the pieces nebulous and solitary. I am heavily influenced by iconography and the primitive depiction of the cave paintings of Lascaux and Australia For me making work is all about fear. It’s fear that draws me back to printing as a way of making marks and never more so than when I’m making mono prints. The sensation as I draw back the paper/cloth or whatever is thrilling and in that moment it is almost as if the work is made by someone else and I can see it clearly and where I am to go with it. It has pervaded all my work this “transference” from one surface to another.
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