VIEW IN MY ROOM
United Kingdom
Drawing, Pen and Ink on Cardboard
Size: 15.7 W x 15.7 H x 0.4 D in
Ships in a Crate
New Malden, where I spent my childhood, is a much more interesting place now than it was then. From being a rather dull London suburb in the 70s, it is now home to the largest Korean population in Europe. In response to that I have drawn the South Korean flag using trains to show that New Malden was created by the arrival of the railway, and shown the two large white 15 storey office blocks that dominate the town. I'd love to live in New Malden now - now one of the best places to buy tofu in the UK! The original of this has now been sold, but I do take commissions.
Drawing:Pen and Ink on Cardboard
Original:One-of-a-kind Artwork
Size:15.7 W x 15.7 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I create drawings in a tightly restricted format - 16" square drawing on white mount board using rapidograph and pantone markers. The discipline of having a very limited format is surprisingly inspiring. Along with the size, format and materials, I'm also restricted to 'what I can draw' (ie I can't draw people) and also the elements that I use in those drawings - the leaves, the buildings, waves, geometric shapes, iconic themes (flags and other symbols). But within those confines, I find that I have more creative ideas than I have time to produce. I have a mental waiting list of drawings that I have yet to make real in ink. Also, as time goes on, I find new concepts to incorporate into new designs, and so the style evolves. But, as each drawing takes at least 20 man-hours to complete, it's a slow-drip development. I find there's something wholesome about doing laborious, detailed work by hand - and the fact that you cannot easily edit it, once you have drawn a line on paper, makes everything more of a commitment and therefore more important as you are doing it.
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