VIEW IN MY ROOM
United States
Mixed Media, 3d Sculpting on Canvas
Size: 35 W x 45 H x 8 D in
Ships in a Crate
Shipping included
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This is the from 'The Bumpies' series, which is my minimalist approach to showing layers of 'dermis' our psychology exhibits. Beneath the top veneer are unbeknownst shadow layers, which will poke, protrude and mysteriously make their presence known. In A Deal Gone Bad 2, my sequel to the graphic portrait of A Deal Gone Bad, I use the abstract qualities of my Bumpies series to illustrate a new level of shadowplay coming from the depths of (my) being. Following the Covid pandemic, I was sitting in a coffee shop as I often do, and overheard a conversation where two young women were describing how they felt some sort of PTSD from all that has transpired. I concurred. In addition, I felt that my mind has become increasingly negative and rampant in thought. More than any other moment in my life. A Deal Gone Bad 2 not only describes the psychological fragmentation as the canvases are splitting from the 'shadows' poking up from underneath, but a black sludge now erupts forcing a confrontation with all that was unhealed. Two bolts of yellow and orange sit atop, indicating the voltage of this sludge erupting from this breaking convex shape. The symmetry and the balance is about to explode. Possibly to create a new Earth.
Original Created:2023
Subjects:Abstract
Styles:AbstractMinimalismModernism
Mediums:3d SculptingAcrylicEnamelResin
Multi-paneled Mixed Media:3d Sculpting on Canvas
Original:One-of-a-kind Artwork
Size:35 W x 45 H x 8 D in
Number of Panels:4
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Creating art my whole life, I have keenly observed how it has impacted me and any viewers throughout the years. As a kid rendering something accurately out of thin air, I was seen as a magical wizard with the power to create worlds. Entering adulthood, where elements of suffering and rejection become a part of life for everyone, simple tricks of wizardry were no longer as effective. Except to expose the hidden fractured worlds within us. In maturity, I perceive my job as an artist to bring form to the unacknowledged within, and use that as part of an array of trying to simply feel good.
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