VIEW IN MY ROOM
United States
Mixed Media, Acrylic on Wood
Size: 20 W x 10 H x 2 D in
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Individually hand-painted pieces of elephant grass, selectively arranged and permanently mounted against a gradient painted backboard in a custom frame. Part of the "NatureScapes" series, this original piece has white painted elephant grass spattered with various colors on a gradated purple-pink background. It's a brilliant blend of texture and color! Professionally framed in contemporary, white satin lacquered, solid wood frame.
Original Created:2024
Subjects:Nature
Mixed Media:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:20 W x 10 H x 2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I grew up in the structured house of an engineer and a teacher. While the bones and foundation of this house were sound, cancers grew within the walls which formed within me a desire to rebel and escape. My childhood tended toward artistic pursuits, drawing intricate copies of Escher and da Vinci, writing sonnets, pouring over books of antique arms and armor, dreaming of castles and cathedrals. Always in love with history and classical art I took images and memoirs of what I learned into my psyche - and they have stayed with me. It was as if I were storing these collections like pennies in a jar to be used on some distant rainy day. Then I had to get a job... Now, many years later, I have dusted off that jar of penny-thoughts and am using them as my tools to create fantastical compilations of human and machine, classical and industrial. There is sound structure within my pieces but they rebel against what we see as reality. Captivated by the idea of alternative perspectives I want those who inspect my work to see the beauty of form and be intrigued by the mechanical foundations. I want the viewer to be drawn to the illusory patinas and mechanisms - to walk the line between dream and reality.
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