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This detail showcases the white stuccoed acrylic paint popping up from under the oil paint to re-create the original shaman artist's use of etching of the limestone.  The squares at the cow's feet were the shaman's earlier exploration of abstract patterning.
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15,500 B.C. Redux: The Great Black Cow Painting

Jacqueline Savaiano

United States

Painting, Oil on Canvas

Size: 24 W x 18 H x 2 D in

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$2,740

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About The Artwork

"The Great Black Cow" is one work of my cave art series that resurrects primeval art. To express my love of animals, nature, and ancient cultures, my pieces re-interpret the primal power and beauty of scenes from prehistoric caves in France and Spain. Most of the works in the series were fashioned while in my own "cave" during the COVID lockdowns and an 11-month-long isolating illness. This particular piece re-creates one section of the Lascaux cave (15,500 B.C.) in southern France. The original Cro-Magnon shaman artists brilliantly coalesced the elements of abstract visual language -- composition, color, texture, line, shape, form, and pattern in their simplest expressions -- to fashion reverential masterworks of the lives, movements, and spiritual energy of the animals of their world. In my interpretation of "The Great Black Cow," I used modern painting methods, though the prehistoric technologies were quite inventive. My stucco base affects the uneven surface and cauliflower texture of limestone caves. The shaman artist painted the cow with horsehair brushes made with pulverized manganese rock and bone marrow; I, of course, used brushes and tube paint. Flint and bone tools incised white lines from the original limestone; in my piece, white stucco texture pops out from under my oil paint. The shaman blew paint from inside hollowed bones to create sprinklings; here, my cloth pats of paint delicately laced colors over a solid surface (though varied colors on the cow's back suggest peeling paint). To enrich the palette of the original stone's browns and ochres, I blended in tones of olive, salmon, and bright orange. Framing is not recommended as it would hide the spillover of stucco over the edges as part of the creative process. Comes with hanging hardware.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I envision my oil paintings, sculptures, ceramics, and mixed media as I have embraced my writings as a world-class journalist: each piece is an adventure of striking dramatic impression. I fashion understandable images that combine realistic, representational, abstract, and Pop Art approaches. Within this framework, I quest for something fresh in subject matter and presentation. When conceptualizing, I ask: "What might make the work memorable? Can a story be told? What might provoke conversation?" Some responses: vivid rich colors and vibrating color contrasts (as inspired by Matisse and Van Gogh), chiaroscuro style (grazie to Da Vinci and Caravaggio), mirrored effects, humorous animal narratives (motivated by Matisse again), reverential animal narratives (divined from Chauvet and Lascaux cave art), comical concepts (thank you Pop Art), universal goddess imagery, and strong palette knife marks, energetic brush strokes, and textured effects using impasto and stucco to affect a permanent look and feel of landscape subjects, especially stone and rock. Born and raised in Chicago and currently living in San Diego after 30 years in Los Angeles, I am also a traveling artist inspired to plein air paint the romantic Renaissance skyline and gardens of Florence, Italy; the kaleidoscopic mesas of Abiquiu, New Mexico; and the sexual and sensual lines and shapes of the Death Valley dunes in California.

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