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Bertram 12 x 16 inch
This piece was born of my love of the beautiful texture of sand and the organic lines made by glue and sand together, a medium over which I have imperfect control. I draw glue lines and sprinkle on the sand, but what it will look like after it dries and I remove the sand is always a surprise. You can see the organic results if you look at the central flower shape and how different each petal is- far from precise- but that’s OK to me. I don’t want to make art that looks like it came from a factory. 
The phosphorescent paint on this is my own recipe very-bright (non-toxic) blue, and it will glow brightly all night long. This work will make a handy point of reference in a dark room. 
Expose the piece to sunlight or another UV light source to see the phosphorescence at its most intense blue.
Bertram 12 x 16 inch
This piece was born of my love of the beautiful texture of sand and the organic lines made by glue and sand together, a medium over which I have imperfect control. I draw glue lines and sprinkle on the sand, but what it will look like after it dries and I remove the sand is always a surprise. You can see the organic results if you look at the central flower shape and how different each petal is- far from precise- but that’s OK to me. I don’t want to make art that looks like it came from a factory. 
The phosphorescent paint on this is my own recipe very-bright (non-toxic) blue, and it will glow brightly all night long. This work will make a handy point of reference in a dark room. 
Expose the piece to sunlight or another UV light source to see the phosphorescence at its most intense blue.
Bertram 12 x 16 inch
This piece was born of my love of the beautiful texture of sand and the organic lines made by glue and sand together, a medium over which I have imperfect control. I draw glue lines and sprinkle on the sand, but what it will look like after it dries and I remove the sand is always a surprise. You can see the organic results if you look at the central flower shape and how different each petal is- far from precise- but that’s OK to me. I don’t want to make art that looks like it came from a factory. 
The phosphorescent paint on this is my own recipe very-bright (non-toxic) blue, and it will glow brightly all night long. This work will make a handy point of reference in a dark room. 
Expose the piece to sunlight or another UV light source to see the phosphorescence at its most intense blue.
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Bertram Painting

Michele Burns

United States

Painting, Sand on Canvas

Size: 12 W x 16 H x 0.7 D in

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SOLD
Originally listed for $160
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111 Views
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About The Artwork

Bertram 12 x 16 inch This piece was born of my love of the beautiful texture of sand and the organic lines made by glue and sand together, a medium over which I have imperfect control. I draw glue lines and sprinkle on the sand, but what it will look like after it dries and I remove the sand is always a surprise. You can see the organic results if you look at the central flower shape and how different each petal is- far from precise- but that’s OK to me. I don’t want to make art that looks like it came from a factory. The phosphorescent paint on this is my own recipe very-bright (non-toxic) blue, and it will glow brightly all night long. This work will make a handy point of reference in a dark room. Expose the piece to sunlight or another UV light source to see the phosphorescence at its most intense blue.

Details & Dimensions

Painting:Sand on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 16 H x 0.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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