VIEW IN MY ROOM
Italy
Painting, Oil on Canvas
Size: 44.9 W x 19.7 H x 1.2 D in
Ships in a Crate
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The painting replays the same little girl in two different moments, first the little girl portrayed is absorbed and seems not to notice the house of cards falling in front of her, and then the same little girl as she looks to the horizon, as if to remind herself of the fantastic castel dell'Ovo on the sea in Naples. The composition is a movement in the round, full of air. I photographed this little girl watching her friends building houses out of cards. In Italian, houses of cards translates to "castel fo cards," so I imagined that it could be in her dreams a castle, a castle on the sea with the waves mimicking the wind in the little girl's hair. The painting has no frame but comes with wooden rods that go around it. It can be hung like this or replace the rods with a small frame containing the three canvases painted separately and joined on the back of the painting.
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:44.9 W x 19.7 H x 1.2 D in
Number of Panels:3
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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My gaze focuses on nature, animals and man. Protagonist are young people or children, simply immersed in their thoughts or intent on their games, transported into somewhat dreamy, airy and suspended surroundings. Inspiration moves from the enchantment of a gesture or expression, in which I perceive intuitions, fantasies or mild anxieties, references to contiguous worlds: glimpses of nature, surreal elements, animals living in freedom, airplanes and gliders in flight. These things continually fascinate me. Following a perceptive thread, I often paint diptychs or triptychs, short stories in which the representational space is divided and the narration takes place between colored and monochrome canvases, pursuing the psychological connections between moments that are distant in space and not necessarily contemporaneous. I am seeking a dimention where man and nature meet in harmony an intimate, fragile dimension where what is real borders on the world of dreams and intuitions. In 1989, I moved to Rome, where I pursued a demanding career in scenic design for more than twenty years, for theater, film and television alike. Around 2010 I scaled back my activities as a set designer to devote myself more intensively to painting.
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