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Germany
Painting, Tempera on Canvas
Size: 16.5 W x 10.4 H x 0.1 D in
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Decorative portrait of a man (the Italian 1960/70s filmstar Gian Volonté). Very spontaneous, bold and intense brushwork - the green background suffuses the whole piece. There are contrast everywhere: the abstract green void as against the detailed face, the warm reddish skin hues as against the colder green shades, Gian`s gaze, which is averted from the observer but highly intense nevertheless. His face is radiating authority, strength and bears the promise of adventure. Even the technique is rather unusual but still highly durable: oil on gesso-grounded paper
Original Created:2020
Subjects:Men
Painting:Tempera on Canvas
Original:One-of-a-kind Artwork
Size:16.5 W x 10.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Eva Genoveva has been a full-time freelance painter since 2010. She lives and works in Munich, Bavaria. Her works are part of numerous private collections in Germany, Liechtenstein and the U.S. and have been publicly exhibited by various institutions, e.g. the Rouka Gallery, the Bavarian state bank and the Bavarian Department of the environment. Her intense studies of the technical aspects of painting resulted in a rather clocked creative process ensuring her works a strong inner light as well as an extraordinary longevity. She confines herself to using solely basic raw materials instead of ready-made products in order to remain in control of the entire origination process. Her approach is an aesthetical as well as analytical one. Overly emphasized compositional lines, queer colors, artificial illumination with strong shadows and backgrounds dissolving into stereometric forms ensure a well-arranged, idealized pictorial impact reminding of the Thirties` Precisionist movement. Focal point of her paintings is a subject that is often out of balance and rendered with the greatest possible psychological truthfulness. As regards her topics she has her eye foremost on the private, emotional, solitary and libidinal in the female experience realm, the reality behind masks, rebellion vs. submission, ubiquitous transcience and the abortive attempt to fight it.
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