VIEW IN MY ROOM
Spain
Painting, Oil on Canvas
Size: 59.1 W x 59.1 H x 1.2 D in
Ships in a Crate
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Golden Autumn Leaves is part of my series of pieces based on Arboretum: Art inspired by trees. This piece captures the moment when the leaves change and fall. This painting is currently on show in Barcelona as part of ELEMENT a solo show of recent work based on the 5 elements EARTH, AIR, FIRE, WATER and AETHER. Classical elements typically refer to the pre-scientific concepts in Ancient Greece. This body of work encapsulates those elements and will contain work based on steel and canvas. We all recognise, and are equally fascinated by, the four main elements which are recurring themes in my work. In their simplest form I try to capture the swell of the sea or when the waters are cold and calm, the land shaped by ‘lines of desire’, the air as it hangs heavy with a pending storm, or the hypnotic power of a fire in a hearth. Aether is a more intangible quality. For the Chinese it is a void, in Ayurvedic medicine it is the element that binds the other elements together. For me it is where these elements connect: at the shoreline, as the sun sinks below the horizon, the atmosphere around a hunter’s moon or in the gloaming of a summer’s evening . It could even be that feeling of awe we experience when when we spend time in the mountains or by the sea or moved by human endeavour. Maybe it is where inspiration lies or the connection between the viewer and the artwork.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:59.1 W x 59.1 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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I moved to Barcelona shortly after completing my degree enthused by the light and cultural dynamism of the Catalan capital. I was born in London but spent my formative years growing up in Lyme Regis, England. I moved back to London in the early 90’s to do a Foundation at Chelsea Art College. I studied sculpture at the Hornsey Art College in North London, whose alumni include Richard Wilson, Richard Wentworth and Anish Kapoor including an Erasmus sculpture programme at Valencia University. Once in Spain I returned to my practice and spent time designing bespoke furniture mainly from steel and wood and working in Interior Design. I set up an artist’s group in a shared studio space. In 2009 I had my first solo show with Tasneem Gallery in Barcelona and then moved to a large studio next to Tapies’ studio in the bohemian Gracia area of the city. My work grew in size and commissions for paintings became a fundamental part of my practice often working with local architects and International clients who walked past my studio. I was awarded the Artist in Residence at The Boat Building Academy, Lyme Regis 2010/2012 a mutually beneficial working experience where the line between craft, sculpture and painting became further blurred for me. I have a long standing relationship with the Russell Gallery in London, Villa del Arte in Barcelona and the Nordic Art Agency, Sweden. I show at art fairs from Singapore to New York and London 'Behind all surfaces exists a previously unseen world. When we dare to peel back the superficial layer we find intrigue, secrets, desires, rust, marrow and molecules. These inner layers are harder to access. They require time, patience, analysis and sharpened skills. These layers are like precious amethyst troves hidden under rough, grey surfaces. Furthermore, said layers are essential to the structure and stability of all things living and inanimate. Chelsea Davine’s resounding work explores these unseen structural layers by giving them a well deserved attention. She urges us to delve and go beyond the veneers and exteriors in search of simple, quotidian beauty. This body of work, documented on steel and canvass— two natural and industrial elements whose uses vary from utilitarian to aesthetic—, is derived from the five classical elements: Earth, Air, Fire, Water and Aether.
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