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Joy Blossoms Painting
France
Painting, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 1.6 D in
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About The Artwork
There is no glory in star or blossom till looked upon by a loving eye; There is no fragrance in April breezes till breathed with joy as they wander by. (William Cullen Bryant) Wietzie created ‘Joy Blossoms’ with a painting knife using a unique impasto technique, which adds texture and movement to express an inner emotional state. Working in a bold, colourful and inventive gestural style, Wietzie’s work is characterized by their luminous layers of colour. Wietzie is inspired by nature and poetry, and uses both to interpret the minutiae that stirs her emotions. Imaginary flowerscape on a luminous grey background that fades to white. Bright white blossoms cascade around a Japanese style composition. This painting is ready to hang and is on a gallery wrap canvas. The substantial canvas thickness allows the painting to shine without any frame required, because the canvas thickness gives it the depth necessary to create noticeable perspective and distance from the wall.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Abstract art can establish a line of communication directly from the artist's inner vision to the viewer's imagination and elicit a specific emotional response. I am inspired by nature and poetry, and I paint the world as I see it- imperfect and in constant change. My work is part of the French Lyrical Abstract art movement, depicted by emotive, expressive, and imaginary compositions that emphasis colour and shape. I create my work through a unique technique of vigorous knife strokes that creates a textured and layered surface full of impasto markings. Thereafter I use sweeping thick movements of paint in a dynamic spontaneous manner that depict the ephemeral nature of light and the passing of time.
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