VIEW IN MY ROOM
Austria
Painting, Acrylic on Canvas
Size: 35.4 W x 39.4 H x 0.8 D in
Ships in a Crate
Shipping included
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I think about natural impressions after a walk in the afternoon. Regarding the painting creation - Painting style: A few years ago I developed a method for the creation of my art. I call it the “stretching technique”. This method allows me to create a plastic and 3D structure even on a two-dimensional canvas. In order to do so I coat a canvas with a mixture of river sand, chalk and binding agents. Afterwards I form a figurative universe with different spatulas and quills. Depending on how much of the mixture remains on the canvas, stretches and arches are created during the drying process. The painting becomes relief-like, develops depth and gains sculptural qualities. Now it is flipped and the final color coat is applied to the untreated canvas. This painted side becomes the paining. Although the sand and chalk mixture disappeared, it remains visible by shaping the painting. This approach creates the unique haptic quality of my paintings.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:35.4 W x 39.4 H x 0.8 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Austria.
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Austria
I was born in Bregenz , Austria. I live and work in Lustenau, Austria. I am a member of the artist associations “Kunst.Vorarlberg” Austria and “Kulturverein Widnau” Switzerland | ................... Regarding the painting creation - Painting style: A few years ago I developed a method for the creation of my art. I call it the “stretching technique”. This method allows me to create a plastic and 3D structure even on a two-dimensional canvas. In order to do so I coat a canvas with a mixture of river sand, chalk and binding agents. Afterwards I form a figurative universe with different spatulas and quills. Depending on how much of the mixture remains on the canvas, stretches and arches are created during the drying process. The painting becomes relief-like, develops depth and gains sculptural qualities. Now it is flipped and the final color coat is applied to the untreated canvas. This painted side becomes the paining. Although the sand and chalk mixture disappeared, it remains visible by shaping the painting. This approach creates the unique haptic quality of my paintings.
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