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Open Painting

soma pradhan

Singapore

Painting, Watercolor on Paper

Size: 16 W x 11.5 H x 0.1 D in

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66 Views
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About The Artwork

In Europe, cities and gardens and forests blend quickly into one another. This sort of open space is now a rarity in many urban areas in other parts of the world. I wanted to create a sense of distance and calm, to indicate what we have perhaps lost in our manic, everyday existence. The fact that this is right next to garages and houses and railway lines is all the more poignant- space is near, yet so far. While I call this Impressionist, I use a lot of abstraction, to denote the uncertainty and fleeting nature of things today-in some parts of the world, this open space might be lost soon.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:16 W x 11.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A naturalised Singaporean, Soma Pradhan comes from a family of agitators and legislators with roots in coastal Bengal. She took a Masters in Botany and initial classes in painting beside the Ganges in places trodden by the likes of Mark Twain and George Mallory. After a decade of work in Delhi in textiles and fashion with a post graduation from NIFT, she moved to Singapore. There, she learnt object design, watercolours and Chinese ink painting at NAFA, bastion of the late, great Georgette Chen. Soma works across paper, silk and silver. Her paintings are available online at the Saatchiart.com and Theartling.com. She has exhibited at NAFA. She has been published in The Rappahannock Review, Anatolios Magazine, 3Elements Review, Paranthesis Journal and the Lumiere Review. Soma is inspired by the works of Tolouse-Lautrec, Wassily Kandinsky, Georgia O Keefe and other influences such as New Wave cinema, DC Comics and Japanese film. She seeks to constantly challenge and redraw the boundaries of the possible. Soma believes that the innovation in art which began with Impressionism at the peak of the Industrial Age, must continue in the digital, instant social age to keep it relevant. She believes this is possible through bold experimentation in material, interpretation of movement and the use of light.

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