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United States
Painting, Oil on Wood
Size: 48 W x 36 H x 3 D in
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The sense of harmony in nature feels threatened; contextualized by the anxiousness created by the red framing device. The painting "Painted Bunting" refers to species name and actual object; a painting of a Painted Bunting, [image as truth]. Last- in the title refers to: the end of the season? the end of the buntings? the end of nature? This painting becomes a meditation on the beauty of nature, before it's to late.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:48 W x 36 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
From 1985 to the present, I have been living and working in San Antonio, Texas as a professional artist. During this period of time, I have had 26 solo exhibitions and have participated in many group shows. I have approximately 400 paintings in private and public collections including the San Antonio Museum of Art (San Antonio, Texas) and the Museum of Fine Arts, Houston. General artistic concerns and themes: At the core of my methodology is a commitment to the ‘tradition’ of painting, to understanding the historical dialogue between surface and illusion, the pictorial and the plastic, subject and content. For approximately the past 20 years, I have been investigating, in general the issue of mediated representation and, specifically, the problematic relationship between image and its referent. The problem of making art intelligible is fundamentally semantic, not aesthetic. In my work, painting subjects (e.g. still life, landscape, animals, etc.) become convention ready-mades’, a foil, by which to explore the relationship between neutral subject, and active concept. Often with irony and humor, I hope to encourage the viewer to recognize the inherent slippage- the subject depicted as subject, and the painting as an artistic conceit as content. Also what I hope to be obvious in this work is the joy of painting , and the excitement of participation in the creative process.
Artist featured by Saatchi Art in a collection
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