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Triptych ~Moutains Steps 1.2.3~
Closeup on Triptych ~Moutains Steps 1.2.3~
Closeup on Triptych ~Moutains Steps 1.2.3~
Closeup on Triptych ~Moutains Steps 1.2.3~
Closeup on Triptych ~Moutains Steps 1.2.3~
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Triptych ~Moutains Steps 1.2.3~ Painting

Marijah Bac Cam

France

Painting, Acrylic on Canvas

Size: 47.2 W x 15.7 H x 0.2 D in

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$3,350

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277 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

'Moutains Steps 1.2.3' is a triptych on linen cavases cardboars 40 x40 x0.5 cm each / total 40H x 120W x 0.5Dcm * Possibility of purchasing each canvas individually in my portfolio. * Ships in a box delivered with frame ties - self adhesive paper. Triptych ~Moutains Steps 1.2.3~ is a semi-representation of different steps of the climbing of the Aiguille du Midi at Chamonix in France. I tried to translate the multiple sensations I received on surface and depth with layers of pure gestural, mark making, collage, organic lines and doodles.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 15.7 H x 0.2 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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