VIEW IN MY ROOM
United States
Photography, Photogram on Paper
Size: 66 W x 40 H x 0.1 D in
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These are THREE unframed 22 x 40 inch cyanotypes. Each is a unique handmade monoprint. Each print once framed would be closer to 44”h x 26”w, spanning around 70 inches or 6.5 -7 feet side by side with gaps between the panels. These are hand-printed monotypes, one-of-kind cyanotypes. Cyanotypes are a kind of 19th century cameraless photographic process dating back to the 1840s. The chemicals used produce a blue and white image rather than a black and white one. The process can be used to print photographs taken with a camera by using a giant plastic film negative or without negatives using solid objects such as plants to create a print of their shadows. These 40-inch unique prints are the largest size cyanotypes I have made. It is complicated at this scale to first set up the images while in darkness indoors and then move them outdoors without breaking the 48-inch sheet of glass that is placed on top of the plants, or having the plants slide out of position on the way to being exposed to sunlight. The exposed photograms (sun prints) are so large they must be rinsed outdoors with a garden hose. Printed on 100% cotton heavy Arches watercolor paper. There is no printing press, no ink, no etched copper plate nor carved wood block to be able to reproduce these images. Each is a unique monotype made using real plants. Signed on the back.
Multi-paneled Photography:Photogram on Paper
Original:One-of-a-kind Artwork
Size:66 W x 40 H x 0.1 D in
Number of Panels:3
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City), Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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