VIEW IN MY ROOM
United Kingdom
Printmaking, Woodcut on Wood
Size: 23.2 W x 16.5 H x 0 D in
Ships in a Crate
Shipping included
Artist Recognition
Artist featured in a collection
Grown bacteria in agar is allowed to spread and form bacterial paintings from collected soil samples with very little control, except for the boundary of the Petri dish. These prints investigate the 'hidden worlds' of the landscape as a metaphor for hidden societal realities as represented like an Old World map. The universal symbol of the circle draws parallels with our reliance of the land, fertility, growth, culture, boundaries and represented notions of the 'feminine maternal principles' and Ecological Feminism. These images set up dichotomies between the contained, restricted and bound set of rules, maintained through a patriarchal system of symbols and freedom from these systems in place to stem overflow, chaos and entropy. It explores the transference of biological matter (measure) - a symbol of traversing the land and sea, the picking up of material on the shoe and moved from one spot to another. The constant movement of landmass and masses of life across the land and through the sea; evolving, growing and re-shaping the landscape we see and do not see. Limited Edition: Two Prints (Print One owned by the Institute for Advanced Studies Art Collection at Bristol University) Framed in reclaimed pallet wood frame. Printed on Surrey Paper Stock
Printmaking:Woodcut on Wood
Artist Produced Limited Edition of:1
Size:23.2 W x 16.5 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.
Artist featured by Saatchi Art in a collection
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