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Other side of ensemble still life.
Panel with bomb and audience hair-dos.
Chauvinist pig Hollywood exec
Barbie's trademark high heel.
No words.
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Barbie Kicks Male Hollywood Asses Sculpture

Jacqueline Savaiano

United States

Sculpture, Ceramic on Ceramic

Size: 13 W x 11.5 H x 10 D in

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$3,260

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About The Artwork

Part of my Goddess Eternal series of timeless icons of feminine power expressed in enduring artistic symbols. With pointed humor against the misogynistic Hollywood big studio system, this ceramic Pop Art three-piece still life revels over the record-breaking success of "Barbie: The Movie," the 2023 feminist feature film based on the Barbie doll, a modern goddess and icon since her 1959 debut. To represent the system's stereotypical dismissive attitude toward real women, a male chauvinist pig Hollywood executive holds a slate, saying: "Chick Flicks Don't Make $." (Something I heard for 20 years as a show business reporter.) But "Barbie" literally shattered that prejudice in Bad Ass stiletto style as it detonated a hot-pink atomic bomb at the box office (take that "Oppenheimer"!) to become the year's highest grossing film globally ($1.44 billion) and a winner of multiple awards. The movie proved high heels down: truly understand women's life experiences and they will come. From all walks of life and countries. All ages. And in every imaginable hair-do, as shown at the base of the big-event screening scene rendered in whimsical vintage style. Box can be perched on a Lazy Susan turntable that could rotate for easier viewing of both sides. Copyright: Jacqueline Savaiano Box: 9.5" W X 11.25" H X 3" D High Heel: 3" W X 3.25" H. X 7" D Pig Exec: 4.5" W X. 4.75" H X 4" D

Details & Dimensions

Multi-paneled Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:13 W x 11.5 H x 10 D in

Number of Pieces:3

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I envision my oil paintings, sculptures, ceramics, and mixed media as I have embraced my writings as a world-class journalist: each piece is an adventure of striking dramatic impression. I fashion understandable images that combine realistic, representational, abstract, and Pop Art approaches. Within this framework, I quest for something fresh in subject matter and presentation. When conceptualizing, I ask: "What might make the work memorable? Can a story be told? What might provoke conversation?" Some responses: vivid rich colors and vibrating color contrasts (as inspired by Matisse and Van Gogh), chiaroscuro style (grazie to Da Vinci and Caravaggio), mirrored effects, humorous animal narratives (motivated by Matisse again), reverential animal narratives (divined from Chauvet and Lascaux cave art), comical concepts (thank you Pop Art), universal goddess imagery, and strong palette knife marks, energetic brush strokes, and textured effects using impasto and stucco to affect a permanent look and feel of landscape subjects, especially stone and rock. Born and raised in Chicago and currently living in San Diego after 30 years in Los Angeles, I am also a traveling artist inspired to plein air paint the romantic Renaissance skyline and gardens of Florence, Italy; the kaleidoscopic mesas of Abiquiu, New Mexico; and the sexual and sensual lines and shapes of the Death Valley dunes in California.

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