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Mexico
Sculpture, 3d Sculpting on Found Objects
Size: 18.9 W x 58.3 H x 14.2 D in
Ships in a Crate
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Piece belonging to the series "Constellations". Daeira, in Greek mythology, was a divinity related to the most secret religious rites of antiquity. With the reddish color, which gives the impression of being ceramic, this piece tries to portray the vital energy and creativity that characterized the goddess. Like the other sculptures in this series, the disproportionate and displaced breasts, together with the deformed and stretched torso of capricious shapes, topped with an elongated neck, evoke the shapes of the constellations in the firmament. With the capricious and deformed form of the body, the artist invites the viewer to reformulate the concept of what is beautiful.
Sculpture:3d Sculpting on Found Objects
Original:One-of-a-kind Artwork
Size:18.9 W x 58.3 H x 14.2 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
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Mexico
Roberto Bear is a self-taught visual artist, who since childhood showed talent for drawing and painting. Although he is still considered as an emerging artist, his passion for sculpture began almost a decade ago; area of the plastic arts in which he has decided to focus primarily. His technique is probably unique, since no one like him has yet known how to take advantage of every plastic packaging that comes into his hands, shaping complex structures that are then covered with a personally processed paste made from paper or cardboard. The result is always surprising: robust sculptures with human forms that at the touch and sight seem more sculpted in stone or quarry. His technique has been the result of a learning process that he has perfected over the years; always having the recycling of plastic, paper and cardboard as his objective. The female figure is so far the favorite subject on which he has based most of his work, which takes advantage of masterly to address sensitive issues such as breast cancer, diabetic foot and violence against women. Currently, he continues developing sculptural projects with which he aims to raise awareness of the importance of recycling.
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