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Angled view shows stylized lines and shapes.
Strong upright torso, dramatic fanny lines.
Rotund bum in support as part of sculpture.
Textured clay affects ancient inspiration.
Swan, Black Cow, White Lady on display
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White Lady Sculpture

Jacqueline Savaiano

United States

Sculpture, Clay on Clay

Size: 6 W x 16.5 H x 6.7 D in

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$2,020

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About The Artwork

Part of my Goddess Eternal series of timeless icons of feminine power in enduring artistic symbols, part of An Ancient is Modern, Modern is Ancient artistic theme. This modern minimalist bone-colored sculpture pays homage to prehistoric fertility fetish figures. The curvaceously chic piece is inspired from an 8.4-inch-high, stone-carved Neolithic figurine circa 5,000 B.C. called Lady of Se, so named for the Hungarian village where it was unearthed. Contemporary figure hallmarks include elongated torso lines, sharp angles from prominent hips to tiny legs, and exaggerated derriere curves, sculpted with stylized shapes for side views but for humorous effect from back views on the support structure. My tribute to contemporary voluptuous icons a la Jennifer Lopez and Sophia Loren -- and every gloriously full-figured woman.

Details & Dimensions

Sculpture:Clay on Clay

Original:One-of-a-kind Artwork

Size:6 W x 16.5 H x 6.7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I envision my oil paintings, sculptures, ceramics, and mixed media as I have embraced my writings as a world-class journalist: each piece is an adventure of striking dramatic impression. I fashion understandable images that combine realistic, representational, abstract, and Pop Art approaches. Within this framework, I quest for something fresh in subject matter and presentation. When conceptualizing, I ask: "What might make the work memorable? Can a story be told? What might provoke conversation?" Some responses: vivid rich colors and vibrating color contrasts (as inspired by Matisse and Van Gogh), chiaroscuro style (grazie to Da Vinci and Caravaggio), mirrored effects, humorous animal narratives (motivated by Matisse again), reverential animal narratives (divined from Chauvet and Lascaux cave art), comical concepts (thank you Pop Art), universal goddess imagery, and strong palette knife marks, energetic brush strokes, and textured effects using impasto and stucco to affect a permanent look and feel of landscape subjects, especially stone and rock. Born and raised in Chicago and currently living in San Diego after 30 years in Los Angeles, I am also a traveling artist inspired to plein air paint the romantic Renaissance skyline and gardens of Florence, Italy; the kaleidoscopic mesas of Abiquiu, New Mexico; and the sexual and sensual lines and shapes of the Death Valley dunes in California.

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