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"Jacqueline" Print

bruno richard


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12 x 16 in ($104)

12 x 16 in ($104)

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About The Artwork

This work is part of the paintings I presented at my personal exhibition "Ofelia - sempre e per sempre", which was held from 07/09/2017 to 01/10/2017 at Villa Casati Stampa di Soncino in Muggiò (MB).The exhibition was an overview of the women's universe, and through some paintings, abiding mainly on the 60s of the last century, I have narrated the feelings, the passion and the stories of some women becoming everlasting idols. Each framed work of art is shipped ready to hang, right out of the box. The black wooden frame is in classic American box style with a depth of 2,16 inches. In the additional images, I have included two photos demonstrating the frame I use to frame the work.

Details & Dimensions

Print:Giclee on Canvas

Size:12 W x 16 H x 1.25 D in

Size with Frame:13.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

. .. in Richard, absolutely refined painter, it seems that Nature is claiming a consideration of portraiture parity with the human figure, in so far as, in its way of bringing fruit, it is endowed with a vital soul, an inner pulsation that can be defined as a kind of temperamental characteristic. The representations are framed and located within the preset limits of a posing and into a spectacular arrangement. In this theatrical way of painting the plot is imperceptible to the first visual impact, and requires a good training to the decoding of the technical processes to be grasped in its descriptive and structural functions. The tonal relations are obtained with the use of clear and basic dyes, stretched with a slow motion, which allows to distribute on the surface and where from time to time it is necessary, the strength and the tenuous nature of the tract. The calibration of the light, which seems to come from a natural source, does not play much on vibration, as on the ability to reveal the sinuosity evoked by the bright colors and the transparent shadows. The backgrounds are mostly dark or atonal and give contrast and thickness to the volumetric effects. As for the colors, which are also the key performers of the form, if not the prompters of attention to the detail, I suspect they hide the typical anxieties of a certain seventeenth century symbolism, where the fray of a peel, or a slight defect in the ripe plumpness of a fruit have a sense of memento mori

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