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Netherlands
Drawing, Graphite on Paper
Size: 8.3 W x 11.8 H x 0 D in
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Missing the Process of Invention It was some time ago when I did my last graphite pencil drawing in the Risque series. Even though I enjoy these elaborations of drawings in oil I also miss the process of inventing stuff. Surely painting delivers new ideas and add-ons to a motif, finding their way into the final result. With drawing I feel like a young child creating on the outer edge the universe. You never know what you are going to get. Drawing for the time being mostly is restricted to spending time waiting for my students at Brugman Art. Production is not very high but enough to walk the tracks of oil and graphite simultaneously and stay happy.
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:8.3 W x 11.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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