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Da Funk Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 72 H x 1.5 D in

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Originally listed for $1,500
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About The Artwork

"Da Funk" is an instrumental track by Daft Punk initially released as a single in 1995 and later included on their debut album Homework. "Da Funk" and its accompanying video directed by Spike Jonze are considered classics of 1990s house music. A reversed clip of "Da Funk" was also released on Homework as "Funk Ad", which is the final track on the album. "Da Funk" was initially released as a 12-inch single in 1995 under the Soma Quality Recordings label, with the B-side "Rollin' & Scratchin'". The pressing was limited to 2,000 copies and was "virtually ignored" according to a Muzik magazine feature at the time. The single received a boost in popularity when the Chemical Brothers incorporated it into their live shows. Subsequently, the British duo's song "Life Is Sweet" was remixed by Daft Punk for a single release in August 1995. Daft Punk eventually signed with Virgin Records in late 1996 after a bidding war amongst several labels. "Da Funk" was re-released by Virgin with the B-side "Musique", a track that later appeared on the anthology Musique Vol. 1 1993–2005. The duo's debut album Homework features "Da Funk" as well as a reversed excerpt titled "Funk Ad". Daft Punk expressed that they wanted to make the album balanced by distributing tracks evenly across each of the four vinyl sides. "Da Funk" went on to sell 30,000 copies in 1997. The prominent French club magazine Coda named it the number one single with 33 percent of the vote. In 2003, Q Magazine ranked it at number 670 in their list of the 1001 Best Songs Ever. In September 2010 Pitchfork Media included the song at number 18 on their Top 200 Tracks of the 90s. In 2011, the song was featured in the video games Top Spin 4 and Ubisoft's Just Dance 3. And in 2012, NME listed the song in the "100 Best Songs of the 1990s" at number 8. In an interview with Fredrik Strage for Swedish magazine Pop #23, Bangalter revealed that "Da Funk" was made after listening to American G-funk for weeks: It was around the time Warren G's "Regulate" was released and we wanted to make some sort of gangsta rap and tried to murk our sounds as much as possible. However, no one has ever compared it to hip hop. We've heard that the drums sound like Queen and the Clash, the melody is reminiscent of Giorgio Moroder, and the synthesisers sound like electro and thousand of other comparisons. No one agrees with us that it sounds like hip hop. The riff was originally a siren sound, but was changed to reflect the "gangsta rap" aesthetic they were trying to achieve. The bassline was created with a Roland TB-303synthesizer Bangalter purchased in 1993. He had created several patterns with the 303 beforehand: "When we were looking for a bassline, we listened to some of [the] ones I'd already programmed and took the one that fit best.” Daft Punk (French pronunciation: ​[daft pœŋk]) were a French electronic music duo formed in 1993 in Paris by Guy-Manuel de Homem-Christo and Thomas Bangalter. Often considered one of the most influential acts in dance music history, they achieved popularity in the late 1990s as part of the French house movement. They also had success in the years following, combining elements of house music with funk, techno, disco, indie rock and pop. After Bangalter and Homem-Christo's indie rock band Darlin' disbanded, they began experimenting with drum machines, synthesisers and the talk box. Their debut studio album Homework was released by Virgin Records in 1997 to positive reviews, backed by singles "Around the World" and "Da Funk". From 1999, they assumed robot personas with helmets, outfits and gloves for public appearances to preserve their identities; they made few media appearances. They were managed from 1996 to 2008 by Pedro Winter, the head of Ed Banger Records. Daft Punk's second album, Discovery (2001), had further success, supported by hit singles "One More Time", "Digital Love" and "Harder, Better, Faster, Stronger". The album became the basis for an animated film, Interstella 5555, produced by Japanese animator Leiji Matsumoto. Daft Punk's third album, Human After All (2005), received mixed reviews, though the singles "Robot Rock" and "Technologic" achieved success in the United Kingdom. The duo directed their first film, Electroma, an avant-garde science fiction film, in 2006. They toured throughout 2006 and 2007 and released the live album Alive 2007, which won a Grammy Award for Best Electronic/Dance Album; the tour is credited for popularising dance music in North America. Daft Punk composed the score for the 2010 film Tron: Legacy. In 2013, Daft Punk left Virgin for Columbia Records and released their fourth album, Random Access Memories, to acclaim; lead single "Get Lucky" reached the top 10 in the charts of 32 countries. Random Access Memories won five Grammy Awards in 2014, including Album of the Year and Record of the Year for "Get Lucky". In 2016, Daft Punk gained their only number one on the Billboard Hot 100 with "Starboy", a collaboration with the Weeknd. Rolling Stone ranked them No. 12 on its list of the 20 Greatest Duos of All Time. They announced their split in 2021. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 72 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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