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Dahomey, Independence Day - August, 1960 Painting

Derick Gnonlonfoun

United Kingdom

Painting, Oil Pastel on Paper

Size: 23.4 W x 33.1 H x 0.1 D in

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Originally listed for $820
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About The Artwork

"Dahomey, Independence Day" delves into the complex interplay between historical narratives and contemporary realities. The canvas portrays an elderly man's countenance etched in the corner, embodying the living embodiment of Benin Republic's proclamation of independence from French colonial rule in 1960. However, beneath the surface of liberation lies a profound commentary on the enduring echoes of France's influence—politically, culturally, and economically. Upon closer inspection, the hidden narrative of 'Independence Day' becomes increasingly apparent. The Eiffel Tower, an unmistakable emblem of France's cultural and architectural legacy, emerges subtly amidst the blue background. This delicate presence acts as a poignant reminder of the enduring impact of colonialism, suggesting that while political sovereignty was declared, the specter of historical subjugation remains ever-present. The aged visage of the man standing resolutely in the corner becomes a poignant symbol of time's passage and the collective memory of the nation. Lines etched by years of experience convey resilience, while the eyes reflect a mixture of wisdom, nostalgia, and contemplation. With this piece, I wanted to encapsulate the paradox of liberation entwined with lingering shadows of colonial dependency. In a word, the ever-evolving quest for genuine independence in a world deeply shaped by the past.

Details & Dimensions

Painting:Oil Pastel on Paper

Original:One-of-a-kind Artwork

Size:23.4 W x 33.1 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Derick Gnonlonfoun is a Beninese and French contemporary visual artist whose works explore identity, belonging, and the beautiful struggle of straddling multiple worlds. He draws inspiration from his experiences as an expat, incorporating elements from the various countries he has called home. The notion of double consciousness, coined by W.E.B. Du Bois, resonates deeply with his works. It refers to the experience of perceiving oneself through the lens of both a dominant culture and a marginalized one, leading to a sense of divided identity. This concept is central to his artistic exploration, as he strives to capture the complexity and beauty that arises from this duality. Through his work, he aims to challenge preconceived notions and societal expectations, encouraging viewers to reflect on their own identities and the diverse experiences that shape us. He uses vibrant colors, intricate patterns, and symbolism that invite introspection and dialogue.

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