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About The Artwork
Une reprise mouvementée de "La liberté guidant le peuple" de l'artiste romantique Eugène Delacroix. Ce tableau de 1830 relate les évènements de la révolution des Trois Glorieuses. Pour reprendre la scène des émeutes révolutionnaires où Gavroche et Marianne ont défié les troupes royales et liberticides, un traitement de coulures de couleurs par couche a été adopté. Un traitement de traits libres pour illustrer la liberté. Sur les barricades, les insurgés brandissent le drapeau national, dans un ciel enfumé. Il y a comme un lustre de flou sur cette scène : l'amas de traits floute la scène, renforce la confusion révolutionnaire. Une triple lecture est possible : de loin, une vision de la scène dans son ensemble, de près une approche par le trait, dans le détail. Par le toucher enfin, puisque les couches de peinture donnent forme tactile à la toile. L'approche par le trait donne à voir un mélange, un labyrinthe où se perd l'œil. Les coulures créent des lignes de force, les couleurs se mélangent parfois. C'est le hasard, le chaos. La liberté.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:59.1 W x 47.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
B. in 1970, FROB has always drawn on notebooks corners. During his law school, he escaped benches of the faculty crunching his similar, also inspired by his exciting and vibrant teachers' long litanies. He now works as an independent on the day and then at night, insomniac, he draws and paints. He loves coffee. He also loves comics and it is visible in his compositions with broad black lines. Initially focused on portraits, FROB now operates on a form of naive, raw, figurative free (at least that's what his knowledged relatives told him). He likes to have a big black felt pen in the pocket and acrylic tubes and pots never too far (except during the day because he works). He learns discovering, constantly experimenting. New and curious phenomenon : when he has not been painting for 2 days, he has a left hand little tremor.
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