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Memory Print

Milica Raicevic

Serbia

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About The Artwork

The main painting installation that I am submitting here is titled Memories, and it was created in the midst of the COVID-19 pandemic. It is thought of as a painting that is a project itself. It is a large-scale piece: 160x220cm. Its surface materiality combines different sources in an inventive way. For example, there is the use of embroidery on a wire, small plastic and rubber tubes, dyed silicone, concrete, gold leaf, tulle, and dyed wool hemmed with thread, and what is most specific about it is the LED lighting with a motion sensor. The lighting is located in the central part of the image in the area of the lungs of the central figure and turns on automatically when the observer is in front of the image. The picture consists of figures whose connections are layered puzzles: they are operational on several levels and they are looking for an active and educated observer. Anthropomorphic and zoomorphic compounds anticipate one of the possible fantasy worlds. The bearer of the image is a figure of a creature whose torso is made of transparent glass, the body is made of silicone material, and there is a fishtail in the place of the extremities. The LED light illuminates the place where the lungs and the heart are, which are otherwise the signifiers of emotions and life as the main characteristics of the human. The lights also have the function of emphasizing the embroidery on the wire as a media procedure. Transparency and illuminance are largely present in the figures.

Details & Dimensions

Print:Giclee on Photo Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The power of an image lies in its ability to capture a moment without premeditation, to reflect the depths of being, and to transmute experiences into symbols. It is through the image that the archetypal can be revealed, flashing forth with profound meaning. I firmly believe in the intuitive approach to creativity. My dreams flow into the images I create, and the richness of reality, the knowledge of civilization, and internal drama all come together to form symbols that are always new and exciting, as long as I remain true to my original principles. No story is ever truly finished, as it is constantly evolving and changing, and this is why art can never be exhausted. Technological advancements can be used to enhance and elevate the symbols in new and more impactful ways, but only when they serve the ideas and the art, not the other way around. The artist is the one who sheds light on their own cathartic experience that happens as a result of the creative process. As they delve deep into the heart of the world, where opposing forces such as happiness, joy, and pain converge, the artist gains insight into the secrets of existence. In my artistic endeavors, I strive to remain true to my internal creative impulses and avoid the external pressures of cultural expectations. I believe that my art contains inherent social commentary and reflects my attitude toward reality and the contemporary world, without the need for explicit explanation. AWARDS AND HONORS: 2016. Adrenalina 4.0- Contemporary art prize-preliminary selection for the short video work Chrysallis-Rome 2010. The overall winner at The Saatchi-Gallery in London (award for the painting Fish(es) –London 1995. Award for the drawing at Biennale for Drawings (Dom kulture Studentski grad)- Belgrade

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