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Italy
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Canvas
Select a Size
14 x 21 in ($129)
Select a Canvas Wrap
White Canvas
Add a Frame
White ($150)
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This painting is a study in color theory. Color theory is both the science and art of using color and the visual effects of how colors mix, match or contrast with each other. Artwork featuring this color pallet and composition will bring a sense of simplicity to your living space and help create a warm and serene environment. This painting started with a layer of the three primary colors mixed together to create a neutral gray. Allowing each layer to dry, multiple layers of magenta, on the bottom, and alizarin crimson on top were added to achieve this painting. Italian gold leaf was added last. High quality Schminck Mussini watercolors were used on 100% cotton 300 gram Italian watercolor paper. The painting is signed on the back, allowing the collector to choose which way to hang the painting. 5 cm masking tape was used around the edges and removed when the painting was finished. A frame is recommended. This painting will be wrapped and packaged professionally and shipped in a box.
Print:Giclee on Canvas
Size:14 W x 21 H x 1.25 D in
Size with Frame:15.75 W x 22.75 H x 1.25 D in
Frame:White
Canvas Wrap:White Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Italy
BIOGRAPHY: Joyce was born in Ontario Canada and presently resides in Rome Italy. She attended a high school for the visual arts in Ottawa and then the Ontario College of Art and Design, and York University in Toronto. For the last twenty five years she has taught International Baccalaureate studio art at the American Overseas School of Rome. Retiring in September 2019, she now works full time in her studio in Rome Italy. ARTIST STATEMENT : The City Deconstructed: Finally, after years of concentrating on the walking figure in the urban environment, I have evolved to abstract expressionism. The early paintings were of Toronto skylines, where I grew up, and Rome, where I have lived for the past thirty years. Previously my work reflected life with in the city, particularly contemplating the piazza and the streets. Buildings became imaginary, constructed from masking tape, to create the grid work. The walking contemporary figures, I found in magazines and newspapers. Finally, as the figure became less important, I started to concentrate on the background...an imaginary minute section of the environment. Confusion, noise, traffic, buildings, graffiti, and the chaotic atmosphere of the urban city are my inspiration. Jackson Pollock and the action painters and Mark Rothko of the color field painters of the 1950’s are at the base of my work. All works are in oil paint or watercolor. I worked intensely with watercolor for years and it is evident in the way I use oil paint. I like transparency, and to leave evidence of each layer or day's work, either by masking or leaving areas and not painting over them, thus creating the illusion of depth. The actual physical work is about showing depth through building layers of transparent paint, and aggressive movement of brushwork. The first layers, the chaos of the city, is the action painting. The color field painting is what goes on top of the action painting representing the order of the city.
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