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Netherlands
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14 x 21 in ($129)
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Black Canvas
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White ($150)
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Back in Style This oil painting in the Roundism series is an elaboration of my graphite pencil drawing ‘Roundism - 25-12-17’. In my previous oils I used a luministic color scheme. However, this time I was up for something new. Rather than creating nifty pareidolia effects I wanted to delve into styling again or artistically speaking turn to formalism. Said drawing was perfect for this. I sold it quickly and I think it may be a winner in oil as well. I even didn’t have to change the composition. The drawing already said it all from a formalistic point of view. Back in Black In order to capture the exact forms I already caught in graphite I wanted to use so-called ‘dead paint’. So I thought. Right before the start I changed my mind. Somehow I thought it would be better to use Winsor & Newton’s Perylene black. It has a nice green-blueish shine to it. Perhaps subconsciously I associated the motif with art deco somehow. The dull green shine made me think of interiors from that era. We could consider then to appear old-fashioned, perhaps even corny. I like that! Sucker for Beauty Maybe I am just a sucker for old school things and therefor revel in retro styles. I certainly do not feel at ease in this current era. Craft seems to be ripped apart from artistic ambitions and it may be that I seek to restore the love for craft. The painting shows my love for stylistic elements invented by Jan Toorop (Delftsche Slaolie). I also could mention Alphonse Mucha, Tamara de Lempicka and so many others. They even may have induced the notion of a back to aesthetics feeling I have for so long now.
Print:Giclee on Canvas
Size:14 W x 21 H x 1.25 D in
Size with Frame:15.75 W x 22.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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