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Netherlands
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14 x 21 in ($129)
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Love for Fabrics Blue Velvet is my next one after the more comprehensive work on Geesje Kwak. Time for an elaboration of a previous drawing Solarised Roundism – 01-07-22. Not named after the movie but rather a reason to unleash my satin fetish. Not entirely coincidental I happen to have some of that fabric in my studio. It suits my regular model’s skin complexion quite nicely. You certainly agree with me that all things blue complement her orange ocres in a most smashing way. This is not my first project concerning solarisation in oil. Last one was Solarized Roundism – 07-03-22. It sort of kept lingering on in the back of my head I had to do another one. Not a cubist one or in my roundism style. As to fabrics in general, I share my love to depict them with people like Gabriël Metsu and Jan van Eyck. Accidental Solarisation This time I wanted to sort of have the process of solarization take over. Let its styling create the magic on my behalf. We artists often are faced with artistic challenges. What to do next? How to come to an attractive idea to put on linen? I guess the whole world is looking for a great idea or to steal it from those who found one. That is why I turn to accidentalism regularly. This time I simply let my image editor GIMP fool around with the curves in some of the session pictures I have of her. Surely such satin fabric when solarised would deliver me incredible bling-bling effects. So it did and I started from there. Furthermore I abstracted the folds just the level of recognizability. There are elements of roundism to be found but this time assisted by computerized algorithms.
Print:Giclee on Canvas
Size:14 W x 21 H x 1.25 D in
Size with Frame:15.75 W x 22.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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