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12 x 16 in ($95)
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Black Canvas
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White ($135)
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The German S-mine (Schrapnellmine, Springmine or Splittermine in German), also known as the "Bouncing Betty" on the Western Front and "frog-mine" on the Eastern Front, is the best-known version of a class of mines known as bounding mines. When triggered, these mines are launched into the air and then detonated at about 1 meter (3 ft) from the ground. The explosion projects a lethal spray of shrapnel in all directions. The S-mine was an anti-personnel mine developed by Germany in the 1930s and used extensively by German forces during World War II. It was designed to be used in open areas against unshielded infantry. Two versions were produced, designated by the year of their first production: the SMi-35 and SMi-44. There are only minor differences between the two models. The S-mine entered production in 1935 and served as a key part of the defensive strategy of the Third Reich. Until production ceased in 1945, Germany produced over 1.93 million S-mines. These mines inflicted heavy casualties and slowed, or even repelled, drives into German-held territory throughout the war. The design was lethal, successful, and much imitated. Source: Wikipedia Whoa, Black Betty (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) Black Betty had a child (Bam-ba-lam) The damn thing gone wild (Bam-ba-lam) She said, "I'm worryin' outta mind" (Bam-ba-lam) The damn thing gone blind (Bam-ba-lam) I said oh, Black Betty (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) She really gets me high (Bam-ba-lam) You know that's no lie (Bam-ba-lam) She's so rock steady (Bam-ba-lam) And she's always ready (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) Whoa, Black Betty (Bam-ba-lam) ‘Black Betty’ by Ram Jam Songwriter: Huddie Ledbetter
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
Artist featured by Saatchi Art in a collection
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