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United States
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Canvas
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12 x 16 in ($114)
Select a Canvas Wrap
Black Canvas
Add a Frame
White ($135)
This large expressionistic piece of canvas, done with the artist’s unique Wavy Gravy technique for acrylics, depicts the vibrancy of the oldest city in the United States during the holiday festival Nights of Lights. This striking perspective captures the famous Bridge of Lions as it crosses Matanzas Bay and enters the historic Old Town of Florida’s and America’s esteemed “First City,” which also happens to be the home of the artist. The sides of this gallery-wrapped canvas are painted, so framing is optional. Hanging hardware is included. Ships quickly in an art crate.
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Sol Luckman’s bold, atmospheric compositions have been featured on the covers of Itzhak Beery’s THE GIFT OF SHAMANISM, SHAMANIC TRANSFORMATIONS and SHAMANIC HEALING published by Inner Traditions. The artist’s most recognizable styles, One Brush Technique with ink and Wavy Gravy with acrylic, are employed in his ongoing exploration of spiritual energy. His vision of the world as fundamentally energetic could be called shamanic in its appreciation of the underlying conscious vibrancy of all things. The effect on the viewer just glimpsing this ineffable world underneath or inside the visible can be startling, even unsettling at times; it can also be highly aesthetically stimulating in an otherworldly way. In his self-illustrated art memoir, MUSINGS FROM A SMALL ISLAND, Luckman writes about the influence of the Russian modernist philosopher Viktor Shklovsky, who proposed that what characterizes genuine art is “estrangement.” “The purpose of art is to impart the sensation of things as they are perceived and not as they are known,” wrote Shklovsky. “The technique of art is to make objects ‘unfamiliar,’ to make forms difficult to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged.” Luckman’s intention is for viewers to encounter estrangement in the universe of intelligent energy intimated in his artwork, as objects condition space with their essence, and vice versa, and the outside conflates with the inside because All Is One.
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