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United States
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Canvas
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12 x 16 in ($115)
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Black Canvas
Add a Frame
White ($135)
This is the Norse rune for the spear of the god Odin, made from the wood of the world tree, the ash tree Yggdrasil. It was fashioned by the dwarves known as the Sons of Ivaldi under the mastery of the blacksmith dwarf Dvalin. It is so perfectly balanced it will always hit its target regardless of the wielder's skill or strength. It can also represent potent rhetoric, wisdom, and creativity.
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Previously an art restorer, I now use a meditative painting process to create biomorphic labyrinths, single organic paths that tangle but are never blocked. I was raised in Bordentown, a small historic colonial-era village on the Delaware River, in the heart of agricultural South Jersey. I studied art materials and techniques at the Art Institute of Chicago and the University of Chicago. I then learned paintings conservation at a regional laboratory near Cleveland. I spent my working adulthood in California, in Santa Barbara and San Diego, in studios that restored paintings from all eras. After I returned east, a series of near-fatal health crises persuaded me to change careers to information technology and civic social relief. I married another paintings conservator, and now I live in Chelsea, on the Hudson River in Manhattan, in a high rise complex that houses more people than lived in the village where I was raised. (I know because I looked it up.) My own paintings were always figurative, until recently. Now, despite my Parkinson’s, I take solace in expressive abstraction. I rediscovered a meditative painting technique I developed as a teenager. I have never seen anyone else make paintings like these. If I have been influenced by anybody, it has been my younger, freer self. As well as all the painters whose works I held in my hands, under my care as a restorer. Also, I have always loved comic books, and the strong lines of the best comics may have informed my paintings. As a restorer, I would hover close to the surfaces of paintings when using a microscope, scalpel, or cotton swab. In my own paintings, I continue to work close to the surface and therefore use archival acrylic paints which dry quickly and prevent unwanted smudges. I try to avoid corrections, and sometimes incorporate happy accidents into the evolution of the design.
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