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Orchestration Print

Lydia Lee

South Korea

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Featured in the Catalog

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

The paint itself is the color, and the color represents itself to me. Let's appreciate the rhythm and intonation when speaking words out loud rather than the meaning of words like when reading a poem. Maybe what really lives and exists is what we say out loud. I create my paintings through a process that happens immediately. I really like the classical chords of musician Tchaikovsky, and some majestic scenery comes to mind especially when I follow the linear movements of the piano melody. Rather than what it looks like, it is certain that such excitement will enrich life. I drew many of these scenes, but this process was influenced by Monet's attitude.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

" There is only one thing that is true. I draw what I see at once. " I am a visual artist born in 1979 and based in Seoul. I am strongly obsessed with mathematical allegories that are closely linked to color and memory images. The intention is to directly touch the viewer's emotions through visualization influenced by musical composition techniques. I express in my paintings the indescribable subtleties of feelings of sadness, joy and pain. It simply presents a structure that excludes the story. The paintings I am influenced by and like are Matisse, Bonnard, and Manet. Research on the decorativeness and curves of arabesque patterns and modern dance choreography From the constant questions about freedom and existence, which are the essence of human beings, Dostoevsky's Memoirs from Underground, Crime and Punishment, and because I like humor about nihilism,Samuel Beckett , and Marcel Proust's image memory method, these are all processes of my work. Since 2002, I have been studying techniques and improving my technique using only oil paintings, and in Korea, my brushstrokes are mentioned as being connected to oriental handwriting. From a young age, I was good at calligraphy, drew a lot of oriental paintings, and was poetically developed. I would like to say that the process of completing my paintings is a continuation of the process, and I believe that the rest should follow from the act of seeing. I hope it continues to be read as a new version in their eyes.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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