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United States
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Fine Art Paper
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8 x 10 in ($40)
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White ($80)
This work is a summary of the crazy state of affairs of this last year. It is frought with much change and still ongoing for many. The turmoil and hate is never ending. So much of it, and what love there is, is starved by greed, corruption, competition, entitlement, envy, selfishness, monotony, disrespect. It's like the 10 Commandments never happened. Everything is so hen pecked. No wonder people resort to drugs, addictions, etc.... How can anyone sleep at night with the planet dying? Doesn't anyone listen? Does anyone care? That is what this piece is about. I hope there is peace and happiness one day on this beautiful planet, that we take so much for granted. I feel so blessed I can express myself in an honest way. It's not always easy, but I believe in truth. Peace, Love & Light.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.
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