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Germany
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14 x 21 in ($258)
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Black Canvas
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White ($150)
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Original Artwork (Limited Edition): The motif is printed on Hahnemühle fine art baryta 325g paper, motif size 20 x 30 cm, white border 5 cm, outer size 30 x 40 cm, signed and artist stamp on the back. The BMW Museum and Tower in Munich present a striking architectural dialogue between the fluidity of mobility and the dynamism of automotive innovation. In the heart of Munich, where the spirit of engineering and aesthetic converge, stands the BMW Museum, a silvery reflection of history and the towering beacon of the BMW Tower. Together, they sketch the skyline, a composition where form meets function in a timeless dance of concrete and glass, echoing the pulse of innovation. The BMW Museum opened in 1973 shortly after the Summer Olympics. The silver futuristic building has a circular footprint of 20 meters in diameter and a flat roof of about 40 meters. An oversized BMW logo is on the flat roof. The listed circular museum building, the so-called bowl with the neighboring low-rise building, stands directly next to the BMW high-rise and is the symbol of the BMW Museum. The BMW four-cylinder, the BMW Tower is BMW's main administrative building in Munich. The building is 101 m high and is located near Munich's Olympic grounds. The BMW Museum is located directly next to the BMW Four-Cylinder, and BMW Welt is opposite. The BMW skyscraper consists of four vertical cylinders arranged next to each other in a cross shape, with each cylinder being divided horizontally once again by pulling back the façade above the center. The building was completed for the 1972 Summer Olympics. The architect was the Austrian Karl Schwanzer, who also designed the BMW Museum.
Print:Giclee on Canvas
Size:14 W x 21 H x 1.25 D in
Size with Frame:15.75 W x 22.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Multi Award Winning Artist & Photographer NGUYENSminiaturen Original Artworks in small sizes in a limited signed edition of 2, 3, 4, 5 or 10 copies, depending on the motif, in sizes of 20 x 30 cm, 30 x 30 cm, 40 x 40 cm - most of them with a white border. Alway 2 AP (Artist Prints). Signed, numbered and artist stamp on the back. All motifs can be ordered also as open end prints in a variety of sizes and frame options. Calmness in Sight “Artistic photography today moves quite differently than it did a few decades ago as a visual force and communicative intervention. This is amid an overflowing stream of images whose production, administration, and dissemination have long since run out of control of conscientious management. After film, television, computers, it is above all the smartphone that has catapulted us into a new visual age. Often, the challenge is to give the eyes an occasion to linger between their unsteady jumps from image to image. Michael Nguyen succeeds excellently in creating such an occasion with his photographs by creating clarity of vision and a challenge of interpretation through reduction and focus.” Prof. Dr. Rainer Funke Founding dean of the Department of Design Potsdam University of Applied Sciences Michael Nguyen is a “publicity shy” (Merkur daily newspaper Munich) photo artist, a photographic poet who moves away from the mainstream, at the same time blurs genres. "Most of the photos could only be taken because Nguyen has a special eye for his surroundings and gives even the mundane a second view." (Süddeutsche Zeitung). In his photography he focuses on architectural details and urban landscapes. “With my architectural photography, I am on the search for the aesthetic qualities of buildings in their urban spatial effect. Above all, I am interested in the visual richness of detail in its compositional diversity and its strangeness. The most unadulterated, neutral documentation of buildings for sales and presentation purposes is not part of my work, nor is the creation of marketable references for architectural firms. Nor are they photographs that depict a building in its ideal state to increase the market value of the building in question. With my very own passion for buildings, I strive, as an artistic architectural photographer, to interpret reality and give a new soul to the appearance of buildings through love, enthusiasm, and desire. In doing so, I deliberately interpret what I photograph subjectively and situationally.
Artist featured by Saatchi Art in a collection
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