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Road Sign Print

T Paige Dalporto

United States

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14 x 21 in ($184)

14 x 21 in ($184)

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30 x 45 in ($441)

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$334
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About The Artwork

Here's a quick video that shows detail of some of my work. https://youtu.be/tTRuwPYNq3k Hey folks, let me give you a quick pitch. Do you know of anyone else doing photography this particular way? What if it hits big? What if I start a movement? Are you thinking what I'm thinking? Of course you are. I'm not some fly by night. Which is probably what they called everyone else presenting new ideas. I've been doing this particular kind of photograph for 10 years. It's hard to believe but it's been that long. So, are you thinking what I'm thinking? You spend a couple of bucks, get a print, and someone else sees what you're doing, and voila a market is created. And you have made a wise investment. The choice is easy, because there is NO ONE else doing what I'm doing with a camera. There's lots of people photoshopping and doing weird shit, but this is all natch! It's actually a reversal of our way of seeing. Breaking down the visual field in a new way so the trees we're used to seeing in a certain way, are seen in a new way…and other visual elements like sun and sky produce the effects and we the visual results of bringing these elements together with motions allows us to see. Its a simple idea but a rule breaker. You have not been allowed to see photos like this, because of these rules obscuring your own ability to see. We have been told what a photo must look like, but guess what, other artists discarded those rules long ago. This method of photograph will teach you how to look at things differently. That's an added benefit. Get in now, make your investment, be on the cutting edge. That's my pitch. And I believe and I'm going to be making it for a long time, Lord willin'. P. Come Spring, the long awaited. Artists it is said, are the most vulnerable to seasonal change. Like it or not we have to come to some way of dealing with winter months and loss of light. Darkness. Depression comes on us mainly in winter time. I find a sadness coming over me at the beginning of fall. I have no depression come on me in the summer months. I narrowed my worst month down to February and believe me I dreaded it. It seemed to be the darkest, even though it's not. So if I happened to arrive at March unscathed, I held my breath till April-May. The greens of May finally arrive. They are different from the summer greens. They are a paler, brighter green. More beautiful. More delicate, lighter, more cheerful. I guarantee, green is the color of life. Chlorophyll, for example. Enjoy the spring greens on your wall, all year long. Isn't there someone out there who appreciates my work, for my works sake? Who appreciates nature presented in this unique way, it's beauty shining through in spite of the scrambling of the visual components, recomposing them in a new and fresh way, through a trick of the camera, a long exposure and movement (not freaking photoshop!). So is there negative meaning attached to the work trick? If so, human vision is itself a trick. Where are told what that red color is…we call it apple. We learn or it is inborn in us to stabilize an image…to isolate it a

Details & Dimensions

Print:Giclee on Canvas

Size:14 W x 21 H x 1.25 D in

Size with Frame:15.75 W x 22.75 H x 1.25 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://youtu.be/IyvibLfHnS4 Somewhere between Impressionistic and Surrealism, Composition is important, Detail is important, Contrast is important, Lighting is important. Beauty is important. Freezing the subject is not important. tripod free. holding the camera is important as facilitator. It's been a revelation to me what the camera is capable of. And what the human eyes does not see. So this is visibility. Expanded. (I will say, the shutter speed is slow and the aperture setting is appropriately 22 ish or smaller). Monet and the Impressionists and the Decisive Moment photographs, who tried to capture what they saw when they saw it. I have brought us much closer to this goal. These photographs are made in the field, at the moment I press the shutter button of my camera. They require little more than your basic darkroom work. I started taking pictures when I was 12. Even then I was ahead of my time, taking pictures of my Weimeraner dressed up in sweat pants, seated upon my go-cart, and on the roof my parents house. (The dog was the trusting sort). I also came up with the Ken Burns Effect before Ken Burns, with a video I made and still have. I was a photojournalist in WV for 20 years. In 2007 I began taking these Unique Fine Art Photographs, One day they will rock the art world. Get in now on the ground floor, if you're an investor, or if you just appreciate beautiful, unique fine art photography, or nature, revealed as the human eye has never seen it before, for the very first time in these photographs. If you like, buy one please. Needing that validation. T. Paige

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