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Sapling Years Print - Limited Edition of 1

T Paige Dalporto

United States

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16 x 12 in ($181)

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About The Artwork

The title of this work comes from a poem I wrote some time ago, My Sapling Years Through Time. It began, "If human beings were trees and they lined the paths I crossed". Years later my photography becomes enter-twined in the poetry of that moment, as they are a large part of what I photograph, moving away from my photography of my photojournalist days, when there always had to be a person in the photo, along with his name, etc. My concerns as a nature lover living in a state that callously disregards nature in favor of a fast buck and enlarged corporate coffers. Which in turn is used to sway voters, elect easily corruptible political hacks, plant judges in high office, brainwash the public into believing they are embracing Reaganism also comes into play. I am happy that my photographs lift nature up in a new way. Allowing us to take a fresh look at the marvels of nature as if for the first time. I accidentally discovered this way of photographing in 2007. I'm still not sure of the magnitude of what they mean, but it seems to me at the least they reveal a nature that transcends our old notions of beauty and touch us in a way that takes us further down the road to a more complete understanding and appreciation of the miracles that we have left behind in our wake.

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 12 H x 1.25 D in

Size with Frame:17.75 W x 13.75 H x 1.25 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://youtu.be/IyvibLfHnS4 Somewhere between Impressionistic and Surrealism, Composition is important, Detail is important, Contrast is important, Lighting is important. Beauty is important. Freezing the subject is not important. tripod free. holding the camera is important as facilitator. It's been a revelation to me what the camera is capable of. And what the human eyes does not see. So this is visibility. Expanded. (I will say, the shutter speed is slow and the aperture setting is appropriately 22 ish or smaller). Monet and the Impressionists and the Decisive Moment photographs, who tried to capture what they saw when they saw it. I have brought us much closer to this goal. These photographs are made in the field, at the moment I press the shutter button of my camera. They require little more than your basic darkroom work. I started taking pictures when I was 12. Even then I was ahead of my time, taking pictures of my Weimeraner dressed up in sweat pants, seated upon my go-cart, and on the roof my parents house. (The dog was the trusting sort). I also came up with the Ken Burns Effect before Ken Burns, with a video I made and still have. I was a photojournalist in WV for 20 years. In 2007 I began taking these Unique Fine Art Photographs, One day they will rock the art world. Get in now on the ground floor, if you're an investor, or if you just appreciate beautiful, unique fine art photography, or nature, revealed as the human eye has never seen it before, for the very first time in these photographs. If you like, buy one please. Needing that validation. T. Paige

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